“Ghost Town”
Movie Review
The horror movie "Ghost Town," written and
directed by Owen Conway, stars Owen alongside Robert Sprayberry, Eva Hamilton,
and Becky Jo Harris. The story centers on a vagabond who accepts a position as
a bartender in a small Arizona town in 1877. After a string of strange deaths,
he quickly becomes the subject of investigation. He finds himself in the center
of the bizarre, possibly supernatural mystery that is plaguing this community
as he desperately tries to escape the noose.
Owen Conway plays Solomon, a vagrant who is in terrible
straits. He no longer has a horse, has no money, and his gun is lost.
Fortunately for him, a town can be seen out in the distance, and he has a job
working for Hagan, the proprietor of the neighborhood tavern and whorehouse.
When one of the customers is shot and killed while speaking to him, he hasn't
even been at the job for five minutes.
As if having a "insufferable prick" for a boss
and that weren't terrible enough, Solomon starts experiencing bizarre hearings
and visions. During the night, something attempts to break down his door with a
roar. The following morning, as he is speaking to Stella, a spider crawls out
of her lips and into her hair without her noticing. Director Owen Conway not
only directed Ghost Town but also starred in it. He wisely doesn't try to stage
anything too extravagant and maintains the film's goals within its means and
his degree of expertise. The film's tone is established with dialogue that
frequently refers to the town as a ghost town, graveyard, etc., mentions of an
undertaker who was hanged for "committing unnatural acts with the
corpses," and basic effects that help the audience visualize Solomon's
experiences or potential hallucinations. Which they possibly do a little bit
too well because the steady stream of incidents dispels any doubt that there is
a problem in this community. Even the most straightforward Western set piece, a
shooting, concludes with a horrible scenario in which Sheriff Hoyt pours cheap
alcohol on the dead bodies and then burns them on the spot in the street. The
cast is limited, as befits a movie set in a deserted village, and the only two
characters we spend a lot of time with are Kate and Benjamin. Kate is a
prostitute who has an irrational hatred for Solomon. Even Moran, who sounds
like a TV preacher for the majority of the film, gives genuine performances.
Which they may do a little bit too well considering the
constant stream of occurrences that prove there is a problem in this
neighborhood. Even the most basic Western scene—a shooting—ends in a horrific
scene in which Sheriff Hoyt pours cheap alcohol on the dead bodies before
setting them on fire in the street. The cast is small, as befits a film set in
a deserted village, and Kate and Benjamin are the only two people we spend a
lot of time with. Kate, a prostitute, harbors an unreasonable animosity toward
Solomon. Even Moran, who for the bulk of the movie sounded like a TV preacher,
offers sincere performances.
The intriguing movie Ghost Town has a lot of potentials
but falters in the last quarter. It would be interesting to see if Owen Conway
pursues his potential as a director or keeps writing and playing in his brother
Robet's movies.
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