“Carnifex”
Movie Review
Carnifex, written by Shanti Gudgeon and directed by Sean
Lahiff and starring Darren Gilshenan, Harry Greenwood, Alexandra Park, Brendan
Rock, and Sisi Stringer, is about Australia recovering from unprecedented
bushfires. Bailey, played by Alexandra Park, is a budding documentary filmmaker
who travels to the heart of the Australian outback with conservationists Grace
and Ben, played by Harry Greenwood and Sisi Stringer, to track and record the
animals that have been the group encounters a terrible species as darkness
falls, and they soon find themselves being pursued.
The 2019 Australian bushfires are seen in the opening
sequence of the film. An image of the stark separation between the two sides of
a fire break contrasts with aerial footage showing the scale and scope of the
fires. Animals then return to what's left of the woodlands. Later we saw a
predator eating a wallaby while remaining hidden from our view but visible on a
trail camera.
Bailey, a documentary filmmaker, and biologists Ben and
Grace travel to the Outback to record the return of species to the region. Ben
wants to not only help the current species but would also love to uncover a new
one, while Bailey sees it as a homage to her brother who died battling the
fires. One ought to exercise caution when making wishes.
Both writer Shanti Gudgeon and director Sean Lahiff's
first feature film is titled Carnifex. And they deserve praise for making
Carnifex's opening half, in which not much actually occurs, move along fast and
entertainingly. There are only a few jump scares involving common animals and
the anticipated attack on a hunter. The discussion is kept engaging enough to
avoid dragging.
The film tightens up and lets cinematographer Kieran
Fowler take use of the ambiance of the dark forest as they discover the trail
cam from the opening scenes and some indications of a big, predatory creature.
It had a more unsettling edge thanks to the incorporation of Aboriginal
instruments by composer Michael Darren.
As the writing resorted to an irritatingly ridiculous
trope—having the characters attempt to get a closer look after witnessing the
creature kill a feral goat that resembles Black Phillip—I became concerned. Ben
previously conjectured that it might be the Carnifex, a very vicious predator
that is believed to have long since gone extinct. It's a great touch that it's
credited as the source of the mythical drop bear.
However, once that's over, the final 30 minutes are a
strong piece of wilderness terror as the three tries to flee before the thing
annihilates them. The nice scares, along with a few surprises, help make up for
the wait. However, the Carnifex itself is a little underwhelming. For once, the
CGI, which isn't perfect but isn't awful either and is hardly cutting edge,
escapes criticism.
The design isn't especially ominous or menacing and
resembles a creepy stuffed animal more than a vicious predator. The majority of
the time, director Lahiff wisely keeps it off-screen, instead relying on sound
or a movement in the branches to indicate its existence. It works well when
emerging quickly and suddenly from cover, but it is considerably less effective
when we can see it well. Carnifex is a fun, albeit rather restricted creature
flick that other monster movie aficionados should like. It probably won't
satisfy gorehounds.
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