In
2023, Matt Smukler and Jana Savage's coming-of-age movie
"Wildflower," based on a story by Smukler and Savage, was released in
the United States. Kieran Shipka, Dash Miho, Charlie Plummer, Alexandra
Daddario, Reid Scott, Jacki Weaver, and Erika Alexander are among the cast
members. Bea, the daughter of cognitively challenged parents Derek and Sharon,
is the focus of the movie. After being declared brain dead during her final
year of high school, the movie uses flashbacks to examine several facets of Bea's
life, including her romantic engagement with fellow student Ethan.
Whether
you want them to be or not, family is always there for you. It can be quite
challenging to get along with and appreciate the individuals who are in your
corner because of the conflicting personalities, viewpoints, philosophies,
ages, and approaches to even the most trivial things. The things we take for
granted might sometimes be drowned out by noise that is simply too loud. The
touching movie Wildflower bravely questions how we view others while navigating
the complexity of growing up from a very original perspective.
Bea Johnson, a high school senior
played by Kiernan Shipka, has a different childhood than most of her
contemporaries, and the director Smukler portrays her narrative. She is the
sole offspring of cognitively challenged Sharon, played by Samantha Hyde, and
Derek, played by Dash Mihok, whose growth was hindered when he was a young
child due to a drunk driver's collision. Bea has had to mature considerably
more quickly than usual as a result of these circumstances. Bea was helping her
mother get ready for work and ensuring that her father was keeping track of
their finances while other youngsters were watching cartoons and avoiding
responsibilities. Bea was aware of her parents' differences from an early age,
but she also understood that they loved her and just wanted the best for her
promising future.
The movie actually opens with Bea
in a coma in the hospital, surrounded by her parents and extended family,
including her mother, Sharon's mother Peg, Sharon's sister and brother-in-law
Joy and Ben, and Loretta, Derek's outspoken mother. Bea's story is portrayed
nonlinearly. Bea's breaking-the-fourth-wall narration and conversations that
the social worker Mary has a one-on-one with each patient at the hospital take
us on a tour through her life from birth to the present before we learn exactly
how she came to be in a coma. The use of narration in this case works well for
the project because it gives the audience a close-up look at such particular
circumstances.
Due
to the large number of people that must be effectively established in both the
past and the present, the fantastic ensemble both supports and occasionally
detracts from the narrative. There are times when the plot feels distorted in
order to give each character their due, but they all add to Bea's story and
have an enjoyable payoff in the end. Given the difficulties her character faced
in her marriage while raising Sharon and subsequently Bea when she was a newborn,
it is no surprise that Jean Smart's performance is a deep and potent blend of
optimism and heartbreak. As the parents of a child with intellectual
disabilities, Smart and her husband Brand Garrett's performances are
unvarnished, magnificent depictions of the worry and uncertainty that all
parents experience. When Peg makes it plain that their daughter cannot raise a
kid on her own, long-simmering anger and resentment break out. This causes an
explosive quarrel that feels so real that the unstable fallout will leave you
speechless.
The
actress who portrays a young Bea, Ryan Kiera Armstrong, does a fantastic job of
capturing both the innocence of childhood and the adult, hardened personality
Bea has been forced to grow into. It's nice how the narrative makes sure to
examine Bea's advantages rather than just focusing on her disadvantages. One
scenario that comes to mind is when Bea grudgingly goes to her aunt and uncle
for breakfast. They temporarily lodge her at a particularly tumultuous time in
the Johnson household. Bea finds the way the family behaves abhorrent. The prim
and proper twin boys consume a small amount of vitamins each morning, rely on
their mother to give them instructions regarding their routine, and become
utterly upset whenever anything that is not planned out in advance occurs. Bea
may have had to forgo some childhood indulgences and may not have ever eaten
vegetables, but she benefits from being independent and deliciously unfiltered.
After all, pants are overrated at the breakfast table.
When
the past and present are more in sync with one another and Kiernan Shipka
assumes the role of Bea in both time periods, the drama really gets going. She
gives Bea a razor-sharp edge and caustic wit that feel like a logical evolution
from the Bea we knew as children. Bea becoming angry with her parents, who only
want the best for their daughter, is both anticipated and tragic. Bea has
little to no time to complete the chores or give her parents the same amount of
attention as she used to because of the various directions her life is going in
in terms of romance, career, and school.
The
nuanced and frequently misunderstood personalities of Sharon and Derek are
brought to life by Samantha Hyde and Dash Mihok. When Ethan, Bea's boyfriend,
who hadn't been invited over to Bea's house, shows up unexpectedly with pizza,
the two serve as the center of a beautiful and crucial sequence that occurs in
the middle of the movie. Due to her shame of her parents, Bea has been dreading
this unavoidable contact, but Sharon and Derek take command of the meet and
greet and put everyone at ease with their hospitality. Ethan is immediately
drawn to the welcoming atmosphere because he was not fortunate enough to
experience it growing up. This serves as somewhat of a wake-up call for Bea,
who was beginning to forget what was actually crucial. A lovely coming-of-age
story, Wildflower emphasizes the challenges of maturation and teaches you to
value those who value you in return.
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