The Haunting of
the Lady-Jane, directed by Kemal Yildririm and written with Mike Hallett, stars
Natasha Linton, Sean Botha, Bryony Harvey, Helene Udy, and Rosalind Stockwell.
The story revolves around the tale of 'RAN,' a water spirit who is said to collect
the bodies of sinners along the river. Lily makes the decision to start again
after a distressing incident left her emotionally wounded and cut off from her
parents. She decides to travel the nation with Zara, whose path of
self-identity has inspired her to fully experience life, who is now a socially
conscious writer on female empowerment. Through Lily's blog, Zara and her
connected and agreed to travel together. They notice an opportunity to go on
the "Lady-Jane" barge along the English waterways. Lily and Zara wind
up traveling alone with Willard, a large, spiritually obsessed man whose past
is as enigmatic as the canal waters, after accepting an offer of free passage
along the British canals. The threesome's trip upriver turns odd and perilous
as Willard's interest in canal ghosts comes to light and the 'RAN' spirit
torments them along the way.
The Haunting of the Lady-Jane opens
during a funeral, as befits a ghost story. As Natasha Linton's mother and
sister face her, Lily O'Cleirigh, played by Natasha Linton, accuse her of
causing her father's death via her crimes and of keeping his soul from God. Six
months later, Lily's sister Kayleigh phones her from the same church and urges
her to come home, saying, "We miss you," while Lily is on a book tour.
For some reason, Lily is not enthusiastic. Along with Zara, an aspiring
influencer she met through her blog and who also appears to be dealing with
some family troubles, she is arranging a trip.
They meet Willard Monk, a big man
with his own problems, when he offers them a free vacation on a barge. The
spirit RN, portrayed by Helene Udy, will also come into contact with all three
of them as a result of it. The drama and religious themes are heavily
emphasized by the film's director, Kemal Yildirim, in the first act. This
should offer you a hint as to the movie's plot development and the fact that
The Haunting of the Lady-Jane will not resemble The Barge People in any way.
Instead, it's a subdued work of folk
horror seen through the perspective of three disturbed individuals, each of
whom has its own problems and desires. The horror components of the movie are
typically put in the background and serve more to evoke a sense of discomfort
than to frighten the audience. This frequently takes center stage. As the movie
progresses, a number of flashbacks are shown to us, letting us know more about
the characters' pasts and assisting us in understanding what is happening. You
have to pay attention and connect the dots though. Because the movie has a lot
of discussions, there aren't any lengthy expository segments to simply inform
you of what you need to know. The Haunting of the Lady-Jane can be a little too
excellent at preserving its mysteries at times, so even while that is how a
good script should function, there were instances when I could have used a
character to show up and give me a hint. Sometimes this pays off since it keeps
the spectator guessing as to whether the threat is otherworldly or human in
origin. Who among the three, or perhaps one of the few other individuals they
meet, if it is human?
There are a few places where the
acting is shaky; nothing terrible, but it is evident. In the final act,
everything does pay off with some suitably spooky moments, but unless you're
truly like slow burns and this occasionally feels more like a smolder you may
not make it that far.
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