“The Seven Faces of Jane”
Movie Review
The Seven Faces of Jane is an American anthology film directed
by eight directors: Gillian Jacobs, Ken Jeong, Gia Coppola, Ryan Heffington,
Alexandra Cassavetes, Boma Luma, Julian Acosta, and Alex Takacs. The story of a
woman driving in Los Angeles. Each director directed parts of the film in
secret, never knowing what would happen before or after it. So, The Seven Faces
of Jane is an ambitious effort, but it's not worth picking up as an audience.
All who played Jacob as the title character. The anthology movie follows Jane.
When she drops her daughter off at summer camp for the first time, she
encourages her to try new experiences. Jane appears to be heeding her own
advice.
As the story unfolds, Jane drops her daughter off at a summer
camp and then basically runs off on a mini-odyssey as she experiences several
obstacles and interactions. Each part is made with the director's voice as a
key element, facilitating the situations in which Jane becomes the subject to
help convey their message throughout. Some parts make more sense than others,
but each speaks to something the filmmakers want the audience to engage with.
Jacobs is a game for everything. Although her performance occasionally
stumbles, Jacobs' commitment to the role is felt throughout. She is an actress
who lends herself to many genres and genres of storytelling, but she is not
fully utilized here in the best possible way.
The film works with some basic rules informed by the initial
premise, but the directors have complete discretion as to where their segment
goes. Although the experiment is fun and interesting, it is not suitable for
general consumption. The conflicting narrative, distorted structure, and
misrepresentation make The Seven Faces of Jane a conceptual work rather than a
complete work. For moviegoers who enjoy the challenge and daring of
experimental work, it's interesting, or at least inspiring.
A project where the sum of the parts is greater than the whole.
Some categories warrant their own shorts and their own features. Directors have
talent; Their abilities are never questioned. But with little structure, that
skill falls flat. The themes are clear through the writing and Jacob's
performance, but the randomness of the vignettes undermines any meaningful
progression. The project's uneasiness is greatest in Boma Iluma and Julian
Acosta's socially conscious segments, which are perfect pitches for their own
feature stories. But their stories have less to do with Jane and her story, and
more to do with how she works in someone else's story. The plot of the film
revolves around the existential crisis of a woman who gets lost in such
distinctions. The experiment would have been successful if each vignette had
had a thematic throughline that served as a basic element.
The story of a woman trying to figure out who she is outside of
being a mother is an interesting concept. Jacobs earnestly explores her vast
and incredible potential as an actress, but the result is underwhelming. Jane's
Seven Phase is an experiment that doesn't give perfect results.
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