“Brother and Sister” Review!

Director: Arnaud Desplechin

Director Arnaud Desplech's latest film "Brother and Sister" is a clotted candy of tragic-romantic-comic jokes. It's so absurd and humorous, it's full of great gestures, great self - critical acting, great visuals, great emotions, and smiling dialogues. Then we can accept that there is technology and excitement in the way of combining it.

“Brother and Sister” is about a brother and sister who hate each other. Then why? Well, this is not entirely clear, and if the tension of the brothers is often not understood - well, that idea is not clear either. Actress Marion Cotillard plays Ellis, the stage star who starred in James Joyce's The Dead. Her brother Louise (Melville Paupod) is a well-known writer who does not conceive enough in the way that director Desplechin intended. He has a third brother, he can not see, Alice has a husband and a child, they seem strangely isolated.

The relationship between Lewis and Alice is poisoned by jealousy over each other's success. When he apparently wrote a family memoir it came to the fore, for which he sued her. When he marries Louis Founia (Golshift Farhani) and has a child, Alice never talks to him. Then Louie's child dies, a tragic event that seems to have forgotten everything in the whirlwind of pathetic acting, and Alice's gray-faced presence adds momentum to Louie's hatred. He writes another sad memoir, but a tragedy involving brother and sister and their aging parents can still be brought together.

There is not even a moment of comfort in all the warm dialogues. Louis first meets Faunia, who is in a restaurant. Louise got drunk and left the room, creating a shocking emotional scene for Alice sitting next to him. But the kind of fawnia you have never seen in a human being, continues to make informed references. Should he be sociopathic?

When Louise and Alice finally meet in a cafe for a big confrontation, director Despleychin cuts the scene before saying anything significant. Later, the overly emotional Louie goes to the roof and apparently throws himself to the side. And ... without us noticing how Louis was recalled, the scene moves on to more absurdities. Director Desplech's extreme weirdness and fantasy have worked before, but mostly his films look like a two - hour perfume public incense for men and women.

Please watch the trailer: